Adel Abdessemed, Jalousy
Acting in complicity with Jean Nouvel, exhibition the 3rd october 2015 until the 17th january 2016, Vence museum, Emile Hugues fondation, 2 Frêne square, 06000 Vence.
The style of the Adel Abdessemed's art work is very provocative. His purpose is to wake up the consciousnesses. Born the 2nd of marz 1971 in Constatine (Algeria) he has initiates himself to the art under the direction of Charif Marzouki. Marzouki has is own art style influenced by the orientalist vision of the 19th century. This artistical movement has been created by french painters like Etienne Dinet who like north african culture. They painted precise themes (the harem, the landscape, the human being) with phantasms. At the end of his artistical studies in 1994 he decides to go away of Algeria because a civil war has begun between the army and the islamists. He has taken this decision after the killing of the director of the Fine Arts school and his son.
When he arrives in France Adel Abdessemed interrupt the relation with his mentor and adopts the provocation as art style. The purpose of his new approach of his art work is to show us "the sensitive areas" of the politics and the intimity. With the exhibition "Don't trust me" he exposes dead bodies of animals killed with a hammer in mexicans farms. This exhibition has been rejected in United States (Art Institute of San Francisco) but also in Glasgow (International festival of contemporary art) and in Turin. A big controversial has happened on Facebook around the topic of this exhibition.
With the exhibition "Jealousy" Adel Abdessemed follows the topic he has introduced with the exhibition "Don't trust me". He recieves the help of the famous french architect Jean Nouvel for waking up the old Villeneuve castle. Adel Abdessemed wants to be the oberver of the modern world and he uses the jealousies who are particulars openings of the mediterranean architecture. With the jealousies you can ventilate yourself, hidding women and seing without being seen.
Adel Abdessemed speaks about several themes in his exhibition and he uses a terrestrial globe made with cans as ariadne's clew. He interrogates himself about the destiny and the aim of the persons who try to cross the mediterranean sea on skiffs ("Hope") for escaping of the poverty. He has inspired himself by the famous Gericault painting "le radeau de la Méduse" painted in 1816. This tragedy (many people who die in front of the european coasts) is a constant since a hundred years.
Adel Abdessemed attract also himself by the destiny of the children and the women all over the world. The childhood should be the period of the innocence the artist show us that some of the children are under the uniforms. They can also be the victims of the human madness like the young Kim Phuc ("The Cry") during the Viet Nam war or the young boy in the ghetto of Warsaw ("A Child").
Adel Abdessemed is worried by the women condition. In a short film he shoots the star of the iranian independant film making Golshifteh Farahani. She seems to be paceful and asleeps but during that time the mollahs insult her in medias and bannish her from Iran. He shows us also this condition towards a model who present women walking around the french Arc de triomphe. They wear same clothes as women in Afghanistan.
Adel Abdessemed concluded his exhibition with a very controversial topic : the religion. In the catholic religion the body of the christ is represented by a man who is crucified. The other religions (jew and muslim) don't represent their own prophets. The artist inspires himself by the retable of Isenheim painted by Matthias Grünewald for representing a decomposed christ. The decomposed christ symbolizes the state of the world who is violent and who reject all kind of humanity.
Intime Conviction - artetcinemas.over-blog.com
"Oeuvres de la collection de Giuliana et Tommaso Setari", Château de Villeneuve, Fondation Emile Hugues. Ouvert du mardi au dimanche de 10 h. à 12 h. 30 et de 14 h. à 18 h., entrée = 5 à 7 €...
http://artetcinemas.over-blog.com/2014/07/intime-conviction.html
Jean Fautrier, the free representation - artetcinemas.over-blog.com
Exposition "Jean Fautrier, the free representation, Castor Seibel collection, graphic pieces" , 28th of november 2014 to 26th of april 2015. Centre d'Art la Malmaison, 47 la Croisette, 06.400 ...
http://artetcinemas.over-blog.com/2015/01/jean-fautrier-the-free-representation.html
The grace of the line, the strength of the colors - artetcinemas.over-blog.com
Exposition au Chateau de Villeneuve / Emile Hugues Fondation, to 20th december 2014 until 30th marz 2015, 2 place du Frêne, 06140 Vence, open to monday until sunday, ticket = 8 €, students and ...
http://artetcinemas.over-blog.com/2015/03/the-grace-of-the-line-the-strength-of-the-colors.html
Light - artetcinemas.over-blog.com
Expostion at the art gallery Chave, 13 Henri Isnard street, 06140 Vence, phone : 04.93.58.03.45, open each days to 10 am until 12.30 am and to 15 pm until 19.30 pm except holidays, free entrance ...
Odyssey - artetcinemas.over-blog.com
Exhibition at the villa Arson, 20th Stephen Liegeard avenue, 06000 Nice, open all the days, except thuersday, to 2pm until 7pm (2pm until 6pm in september), entrance free. The exhibition of the 2015
The afternoon - artetcinemas.over-blog.com
Exhibition to the 4th of october until the 28th of december 2015 of Julien Dubuisson, Ibai Hernandorena, Lidwine Prolonge and Jean - Charles de Quillacq monographs under the direction of : Mathieu ...
http://artetcinemas.over-blog.com/2015/12/the-afternoon.html
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